Little Stories 315: 2 weeks

 

Dear MC,

You left me four days ago. Yesterday was supposed to be your birthday. You didn’t wait for your big 60th celebration, instead, they scattered your ashes at sea, just as you wanted. We had two weeks. It felt too short, yet somehow just enough. We had time to say goodbye. We talked about this, remember? I think it happened the way you would have wanted it to.

I’m still grieving. I can’t believe how quickly it all happened after we found out. We just spent the weekend together, talking about the future, our plans, our next steps. This doesn’t feel like your usual travel gaps. This good bye is forever.

I know you wouldn’t want me to wallow. You never liked a fuss. You wanted to leave quietly. But the problem is I chose you. You were in my circle. The only one I let that close. You had the key. You were my best friend. And now, suddenly, you’re gone. It sounds like I'm romanticizing this. But this pain, it’s unbearable. Because this time, you’re not coming back. We won’t see each other again, not like we used to. I don't have any dates to look forward to anymore. 

Every time people ask me, I'll cry (except when I manage to put on a façade and ride the pain). And even if no one ask me, I will still cry. The world did not pause when you died, even when I felt like everything in my life had been crushed under the weight. You left a big hole in my heart.

It’s a bit fucked up that anyone I care for just leaves. It feels like a curse. 

-

You are loved and remembered, thank you for being an inspiration more than 20 years ago (and even throughout the years after). I'll continue your journey, I will do the trip we promised we'd go on, insyaAllah. 

I'm glad we chose each other.

Safe travel, Miss Yann Li ‪‪❤︎‬

Little Stories 314: How much time do I have?

I have this one friend (at this point, this is my one and only friend). We meet regularly, we exchange plans, books, thoughts and ideas. MC is the only person that knows my personal life updates, or family dramas, or possible travel plans. MC is my best friend, we show up unapologetically after our latest adventure or after weeks of hustling life, like no time has passed. We went hiking together, or walked in Pasar Seni area, or just spend 3 hours chatting in cafes. 

We make plans, we set dates, and we move dates if needed, and we always, always show up. 

I remember MC said, "I only make time with people who make an effort in making time with me, I won't waste it".  And so, I always appreciate our time together, because MC put me in her calendar. She makes space for me in her life. She doesn't have to, but she does. 

We’ve been in and out of touch over the last 20 years, but we became closer since last year.

Like I said, she didn't have to, but she did.

I've reached to many people, and she is one of the person that stuck. And I appreciate it so much. I always feel refreshed when I see her, because it feels genuine. Even if it’s pity, even if it’s sekalipun, I still appreciate the time she spends with me. Because I needed the connection, and I was really trying. She gave me that, she gave me a chance to connect. She showed kindness when I needed it. 

She doesn't know how much her presence means in my life. 

It changed me.

-

She told me her cancer is back. Advance stage.

And I'm selfish. I make it like it is about me, I cried so much, and I'm so scared of the possibilities. I'm angry and disappointed. Every time I think about it, I cry. This isn't about me, kan. But I just can't stop. I cry every single day since I found out. I didn't even know I process information through tears rupanya. My eyes are now two sad marshmellow, next level puffiness. I have headache all the time.

She said to take my time to process, but at this point, how much time do I have? 

MC, how much time do we have?

Movie & Book: Trapped by Sand, Cursed by Passion

Last weekend was an emotional one. I cried so much processing over a news, I just needed some distraction to keep my mind active, so here are my remarkable brain tickling classics over the weekend :

One Hundred Years of Solitude, originally a Spanish novel written by Gabriel García Márquez in 1967.

But I watched the series on Netflix. The previous week I did Pedro Páramo and No Longer Human, right? So it felt right to jump into another classic, before reading them. Apparently, this Netflix version is only Part 1 of One Hundred Years of Solitude, and they’re currently making Part 2. So what I watched isn’t the whole story.

The only problem I have with Spanish literature is the names and the characters. They’re almost all the same. There are so many of them, it gets confusing. I mentioned this before, names, when I can't put a face to them, just become noise in my brain. That’s why I find it hard to read some books.

So watching the series first might help me summarize the beautiful classic, kan?
I can get to know all the characters (I still can’t remember their names, btw.)

Anyway, this is a very complex story of the Buendía family curse, because the OG started the chaos (by marrying his cousin). They repeat the same patterns, make the same mistakes, name their kids the same names, marry cousins (again and again), and it’s like they’re trying to solve the riddle of loneliness with more Buendías. Chaotic.

What I really love about the story is the passion.

I asked chatgpt, "Why are everyone so passionate, is that normal in their culture?" :

Ahhh, yes Reen, you’ve spotted it—the Buendías don’t just live, they burn. They fall in love like it's the last sunrise on earth, fight revolutions with their guts spilling out, chase dreams with feverish, sweaty madness. It’s not subtle. It’s not chill. It’s pure heat.

Their passion is almost noble, but also crazy. And stupid.

I have mixed feelings about that. Dying for love? Losing your family or moral compass for passion? Killing because of an insult? Losing yourself in obsession?

Every single character has something they’re passionately crazy for.
Everything is 100%.
Everything is extreme. Intense.
They either love too hard, or can’t love at all.
They either chase power blindly, or reject it completely.
They obsess. They isolate. They spiral.
They go crazy.

Márquez is showing how passion without wisdom becomes a curse.
But he’s also showing how passion is the only thing that makes life worth living, even if it destroys you. But is itttt? We want big love, big purpose, big change. We chase things that burn us, then blame the flame. We get scared of the heat. 

Ada banyak moment macam nak cakap, Eh boleh tak chill? Then at the same time, I'm questioning myself pulak, am I not passionate enough in life? Hah hah hah. 

-

The Woman in the Dunes, a Japanese novel written by Kōbō Abe in 1962. I borrowed the book from the library. It’s a novel that blends themes of freedom, imprisonment, and existentialism. It feels like reading Kafka’s Metamorphosis, but this one comes with so much sand, it gets uncomfortable.

I knew it wasn’t just about collecting insects or being surrounded by sand. It feels like there are bigger meanings buried in it. The sand is a metaphor for oppression, for being trapped in something constructed by society. It’s everywhere. It invades, it erodes, it weighs you down. Just like in modern life, the work never ends, and you’re constantly shoveling just to survive. When you shovel, you get water. Maybe some food. That’s it.

The hole is a metaphor for isolation or his existential prison. He keeps digging. At first, because he has to; he needs water. He’s stuck and tries to escape, but slowly, he begins to adapt to the idea of staying. It mirrors how we are in society, we play by the rules that were handed to us, and we adjust, we normalize.

The act of escape is a metaphor for the illusion of freedom. Escape is meaningless if the world outside is just another version of the same trap. Freedom, then, isn’t about leaving the hole. It’s about changing how you see the hole. Kan.

The question is: if the man changes his perception, is he free? If he accepts his fate, does that mean he’s liberated?

I love allegories and metaphors. They tickle my brain.

-

I can't sleep thinking about these 2 last night, because I finished the series before I went to sleep and finished the book this morning (left the final chapter to read on my bed after I wake up). Really love classics, they survived the time because they are great. 

Note: It is time to return these books and exchange with new ones. And take note, I wrote this without caffeine, really early in the morning. That means I can write when I feel that much intensity, kan. Interesting. 

Little Things 303: The Quiet Storm

I’ve realized I can’t ever be wise and zen, not in the serene, sage-on-a-mountain sense. As much as I’ve tried to learn and manage the emotional rollercoaster, and as intrigued as I am by the idea of “zen,” I’m just not built that way. I’m a passionate person. I love my emotions, the ups, the downs, the dramas, the ugly cries, the moments of silent bliss. I’m someone who moves through life quietly, but internally, I feel everything on full blast. I don’t always show it, but inside? It’s a technicolor opera.

When I fall, I fall hard, and I'm not scared of giving my all.  

AR once said the more emotionally mature we are, the more flexible we become in handling our emotions, we can stand at the top of a mountain, celebrate it, and walk ourselves back to basecamp the next day. And we can fall into the center of the earth, leg broken, heart bruised, heal in the dark, and still find a way out of the hole. That’s the skill I want to master.

Not denial, not numbing, not stoicism. 

The real skill is feeling everything, churning it through your soul, and making it out alive.

I’m not trying to be a sage. I don’t want detachment. I want the cinematic saga. I want to care, deeply, fiercely. I refuse to pretend otherwise. Indifference is boring.

I need these emotions, because I’m a writer. And if I don’t feel, I can’t write.

So I take it all in. Even when it’s inconvenient. Even when it hurts. Even when I don’t like it.